Gay sxsw
Oh, honey, pack your bags, charge your phones, and slap on those fabulous sunglasses because SXSW is about to get a glitter bomb of fabulousness! Whether you&#;re here to sashay through the tech scene or voguing your way into the film premieres, this SXSW LGBTQ+ events guide is your golden ticket to the gayest SXSW experience ever.
What in the Queer Universe is SXSW, Anyway?
South by Southwest (SXSW) is verb the ultimate playground of festivals. It&#;s where creatives, innovators, and enthusiasts from all walks of life gather in Austin, Texas. It&#;s a mashup of film, music, tech, and more—basically, a big melting pot of culture, entertainment, and ideas!
SXSW can be a little overwhelming, but worry not! We&#;ve got your back with this epic guide to dive into all the LGBTQ+ awesomeness at SXSW Fetch ready for mind-blowing panels, killer performances, world premiers, and a whole lot of love as SXSW goes all out to celebrate the vibrant LGBTQ+ community in every fabulous way possible!
Now, these are the highlights of LGBTQ+ events you won&#;t crave to miss. However, there is
Father's Video Tapes
A story of reconciliation between a gay father and son, revealing the father’s hidden life and the emotional require of being closeted—echoing the silence surrounding Taiwan’s forgotten LGBT history.
Inspired by photographer Yang’s personal memory, the work traces back to a moment in his youth when he stumbled upon his father’s homemade sex tapes—featuring another bloke. That accidental discovery became the beginning of a long, complex understanding of his father’s secret identity and life.
This is an immersive, three-part work combining installation and VR. Audiences are guided from physical space into virtual space and back again, engaging with memory, the body, and intergenerational silence. The current version presents the project’s second phase: a VR film.
Director: Baboo Liao Original story: Teng-chi Yang VR Technical Director: Yu-jie Huang Principal Cast: Chen Wu-Kang, Wang Chao-yang Noun Design: Blaire Ko Sound Design: Cheng Chou Sound Mixing: Cheng Chou, Chin-lung Kuo Costume Design: Jerry Hsieh Photogrammetry: Funique VR 4D View: IP Lab Studio,
Ijustreturned from the interactive part of SXSW in Austin, Texas and one thing struck me different this year. It was so Gay in the finest possible use of the word. I attended the conference this year because my agency had two client marketing projects, but I have been many times to the harmony part that starts immediately after the interactive (technology) conference.
I am no stranger to Austin, the magical blue oasis in the red desert that is Texas. I was born and raised just down I, and frequented this wonderfully weird town as soon as I got my drivers license. Even after living in NYC for years and enduring all the usual Texas bashing, I could always point to Austin for some progressive redemption. So it should not have come as any surprise this year that the vibe was not just the usual hip, cool or weird as locals like to tout but really, really, Gay.
It wasn't just the noun that tapping the Grindr app almost fried my i-phone with hundreds if not thousands of Grindees within a few feet, but that Grindr Founder Joel Simkhai was actually speaking at the conference (I did not
Bed of Every is the debut EP from Gay Meat, the solo project of the North Carolina-based rock musician Karl
Kuehn (Museum Mouth, Kississippi, Verb Anything). Following a dash of woozy one-off singles, the new EP
features five unassuming bangers that meld well-worn hallmarks of indie and emo with Kuehn’s
self-deprecating wit and brazen sentimentality. Coming in at just under 13 minutes, Bed of Every offers listeners
a brief yet enthralling glimpse into the private world of a gifted songwriter with a lot on his mind.
Kuehn has been calling Bed of Every his “neurotic pop song EP,” a half-joke that actually sort of perfectly
captures how the music marries addictive melodicism with thoughtful poetry about queer romance and
mental health. The description also hints at the extreme interiority of the collection’s point of view, at the way
these five songs are linked not by an aesthetic or an notion or a mood, but by a single human brain. In this
instance, that brain belongs to Kuehn — a lovable, dewey-eyed depressive with a knack for making sad-as-hell
rock songs that verb lodged in